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Γεννημένος στη Λυών στη Γαλλία, το 1900, ο Antoine de Saint-Exupéry θεωρούσε τον εαυτό του πιλότο πάνω απ’ όλα. Σε διάστημα είκοσι χρόνων, πραγματοποίησε πλήθος αποστολών χαρτογράφησης και ταχυδρομικών πτήσεων για εμπορικές αεροπορικές εταιρείες. Το θέμα των αερομεταφορών αποτέλεσε σταθμό στην επαγγελματική του πορεία και σημείο έναρξης στις λογοτεχνικές του αναζητήσεις. Η συγγραφή του Μικρού Πρίγκιπα ξεκινά κατά τη διάρκεια του Β΄ Παγκοσμίου Πολέμου, όταν ο Saint-Exupéry αναγκάζεται να εγκαταλείψει την αεροπορία, μετά την εισβολή της Γερμανίας στα γαλλικά εδάφη, και να βρει καταφύγιο στη Νέα Υόρκη. Το στοιχείο ακριβώς της νοσταλγίας της παιδικής ηλικίας μέσα στον Μικρό Πρίγκιπα φανερώνει την έντονη επιθυμία του Saint-Exupéry να επιστρέψει στη Γαλλία καθώς και την ελπίδα του αυτό να συμβεί σε καιρό ειρήνης. Η υπόθεση του Μικρού Πρίγκιπα διαδραματίζεται στην έρημο Σαχάρα. To αεροπλάνο τού αφηγητή-πιλότου έχει συντριβεί στην έρημο. Ο ίδιος έχει μείνει με ελάχιστη τροφή και νερό. Προσπαθώντας να εκτιμήσει τις αντικειμενικές δυσκολίες της συντριβής, προσεγγίζεται από τον Μικρό Πρίγκιπα, ένα σοβαρό μικρό ξανθό αγόρι που του ζητά να του ζωγραφίσει ένα αρνάκι. Ο αφηγητής απαντάει θετικά στο αίτημα του περίεργου μικρού που στέκεται απέναντί του. Σύντομα γίνονται φίλοι και ο Μικρός Πρίγκιπας πληροφορεί τον πιλότο, ότι κατάγεται από έναν μικρό πλανήτη, τον αστεροειδή 325, του μιλά για τα μπαομπάμπ και τα ηφαίστεια του τόπου του αλλά και για το μυστηριώδες τριαντάφυλλο που φύτρωσε κάποια στιγμή στον πλανήτη του. Του μιλά ακόμη για τη φιλία τους και για το ψέμα που το έπιασε να του λέει και που στάθηκε αφορμή για το ταξίδι του σε άλλους πλανήτες. Ο μικρός ταξιδιώτης, συχνά σαστισμένος από τη συμπεριφορά των μεγάλων, γίνεται καθολικό και διαχρονικό σύμβολο αθωότητας και αγάπης, υπευθυνότητας και αφοσίωσης. Στο πρόσωπό του αναγνωρίζουμε τη διορατικότητα της παιδικής ηλικίας που στους μεγάλους βρίσκεται σε χειμερία νάρκη. Τα παιδιά αναζητούν την ουσία με την καρδιά, όχι με τα μάτια…
Three award-winning works of adventure, survival, and the early days of aviation from the celebrated author of The Little Prince, collected in one volume.
 
Ranging from the northern skies of France to the South American Andes, this volume includes two memoirs and a novel, each informed by the lauded pilot and poet’s experiences as a pioneering aviator during World War II.
 
Wind, Sand and Stars
Recounting his early days flying airmail routes across the African Sahara, Saint-Exupéry explores the spiritual, philosophical, and physical wonders of navigating the passes of the Pyrenees, the peaks of the Andes, and the wasteland of the Libyan desert. This memoir, a National Book Award winner that was voted a National Geographic Top Ten Adventure Book of All Time, is “a beautiful book, a brave book, and a book that should be read against the confusion of this world” (The New York Times).
 
Night Flight
Overseeing night-mail flights in Buenos Aires, Riviere is a believer in remaining faithful to the mission and has trained his pilots to stave off the fear of death. But when he discovers that one of his planes is lost in a storm after flying out of Patagonia, both his authority and his beliefs will be challenged, in a novel that won France’s Prix Femina Award and was made into a classic film.
 
Flight to Arras
Saint-Exupéry’s memoir of a harrowing reconnaissance mission during the Battle of France in 1940—as one of only a handful of pilots who continued to fight in solidarity against the inevitable German invasion—was a recipient of the Grand Prix Littéraire de l’Aéro-Club de France.
 
“Saint-Exupéry . . . blends adventure with reflection in a way few writers have.” —Richard Bach
 
Translated by Lewis Galantière and Stuart Gilbert
Vuelo nocturno, un viaje admirable a los principios de la aviación. Unos tiempos en que —en medio de esas noches cerradas en las que no vemos ni la mano extendida ante nuestros propios ojos— no existía más guía que la propia vista, ni más ayuda que una brújula, ni más comunicación con el resto del mundo que la del radiotelégrafo.
Saint-Exupéry nos narra la aventura de uno de estos arrojados pilotos, cuando aún son pocos los que comprenden que el vuelo nocturno es la única forma de la aviación comercial capaz de competir con los transportes tradicionales. Perdido en la noche, sorprendido por una virulenta tormenta, quedará más y más aislado conforme el monstruo al que se enfrenta asola las ciudades e inutiliza el radiotelégrafo, mientras sus camaradas, desde la precariedad de medios de la época, tratan en vano de restablecer el contacto y guiarlo hasta casa.
Es ésta una novela en la que se navega, a través de su prosa bella y serena, del mismo modo que lo hace el héroe en la tormenta, tan fascinante y terrible al mismo tiempo. La gesta no reside aquí en la consecución de unos objetivos colosales, sino en el devenir diario de unos hombres sencillos y parcos en palabras enfrentados a diario, como pioneros del siglo que amanece, con los viejos temores humanos. Qué mejores palabras para finalizar que las del propio Saint-Exupéry, expresadas como las reflexiones del otro gran héroe de la obra, el líder convencido de su razón e inflexible con unos hombres a los que ama y admira:
«... sólo del misterio se tiene miedo. Es preciso que no haya más misterio. Es preciso que los hombres desciendan a ese pozo oscuro, vuelvan a subir, y digan que no han encontrado nada allí».
Óscar Cuevas Vera
Born in Lyon of France in 1900, Antoine de Saint-Exupéry considered himself primarily as a pilot. For 20 years he made numerous cartography and mailing missions for commercial companies. Air transmissions were the key factor concerning his professional and literature profile. He started writing The Little Prince during the WW II, when he was forced to abandon airforce (due to Germany’s invasion in France) and seek refuge in New York. His great desire of going back, hopefully after the war, is depicted as the nostalgia of being a child again, something that is so evident in Little Prince.

The Sahara desert is the scenery of Little Prince’s story. The narrator’s plane has crashed there and he has scarcely some food and water to survive. Trying to comprehend what caused the crash, the Little Prince appears. The serious blonde little boy asks to draw him a sheep. The narrator consents to the strange fellow’s request. They soon become friends and the Little Prince informs the pilot that he is from a small planet, the asteroid 325, talks to him about the baobabs, his planet volcanoes and the mysterious rose that grew on his planet. He also talks to him about their friendship and the lie that evoked his journey to other planets. Often puzzled by the grown-ups’ behavior, the little traveler becomes a total and eternal symbol of innocence and love, of responsibility and devotion. Through him we get to see how insightful children are and how grown-ups aren’t. Children use their heart to feel what’s really important, not the eyes…
“Si conoscono solo le cose che si addomesticano. - disse la volpe - Gli uomini non hanno più tempo per capire nulla. Comprano al mercato le cose già fatte. Ma siccome non esistono mercati che ti vendano gli amici, gli uomini non hanno più amici. Se vuoi un amico addomesticami!”. Immaginate di stare con altri amici o parenti, d'inverno, davanti a un caminetto con della legna accesa che crea calde e amabili fiamme colorate di giallo e di rosso, e che un anziano contastorie dalla voce armoniosa e magnetica vi racconti la storia del Piccolo Principe, una delle più straordinarie allegorie della società contemporanea... Ecco, è questa l'atmosfera che ci dona l'interpretazione di Alberto Rossatti de il Piccolo Principe di Antoine de Saint-Exupéry, nella traduzione che lo stesso Rossatti ha curato proprio per essere ascoltata dalle orecchie di piccini e adulti. Il Piccolo Principe (Le Petit Prince) è l'opera più conosciuta di Antoine de Saint-Exupéry; pubblicata nel 1943 è un racconto molto poetico che, nella forma di un'opera letteraria per ragazzi, affronta temi come il senso della vita e il significato dell'amore e dell'amicizia. Ciascun capitolo del libro racconta i vari incontri che il protagonista fa con diversi personaggi e su diversi pianeti e ognuno di questi bizzarri personaggi lascia il piccolo principe stupito e sconcertato dalla stranezza delle "persone adulte". È fra le opere letterarie più celebri del XX secolo e tra le più vendute della storia: è stato tradotto in 253 lingue e dialetti e stampato in oltre 134 milioni di copie in tutto il mondo. In un certo senso, costituisce una sorta di educazione sentimentale per i bambini e per i grandi. L'audiolibro è accompagnato anche dalla versione in PDF del testo con le illustrazioni originali dello stesso Saint-Exupéry e quindi potete anche leggerlo contemporaneamente sia con gli occhi che con le orecchie.
Leben deinen Traum und greife nach dem Glück

Dichter, Schriftsteller und Philosophen versuchen seit vielen Jahrhunderten das Geheimnis des glücklichen Lebens zu entschlüsseln. Viele sind zu der weisen Erkenntnis gekommen, dass die vollkommene Erfüllung nur mit Achtsamkeit und Gelassenheit möglich ist. Dieses Hörbuch erzählt über die Liebe zu sich selbst, über Optimismus, bewusste Wahrnehmung und die Kunst des Lebens. Eine Schatzkiste von Erzählungen, Gedanken und Gedichten für all jene, die sich auf die Suche nach dem Wesentlichen begeben möchten.

(Laufzeit: ca. 2h 30)

Diese Edition enthält: Rainer Maria Rilke "Damit ich glücklich wäre ..."; "Die meisten Menschen wissen gar nicht, wie schön die Welt ist"; Antoine de Saint-Exupéry "Der kleine Prinz" (Ausschnitt); Sergio Bambaren "Wer nicht glücklich mit sich selbst ist, kann nie wirklich glücklich sein"; Hermann Hesse "Das Wort Glück"; "Eines Morgens erwachte ich ..."; "Schwingungen"; "Je älter ich wurde ..."; Kristina Reftel "Gandhis Schuhe"; Jorge Bucay "Die Fröschlein in der Sahne"; "Der launenhafte König"; Michel de Montaigne "Das Schönste was man im Leben tun kann"; Charles-Louis de Secondat Montesquieu "Vom weisen und glücklichen Leben"; Johann Wolfgang von Goethe "Wohl dem, der nicht müde wird"; "Vermächtnis"; Wilhelm Busch "Fünf Sentenzen"; Joachim Ringelnatz "Schenken"; Georges Simenon "Meine tiefe Überzeugung"; Dalai Lama "Ratschläge des Herzens"; Annette von Droste-Hülshoff "Die rechte Stunde"; Kurt Tucholsky "Über das Leben oder Irgendwas ist immer"; Li Liweng "Wie man trotz Reichtum glücklich sein kann"; Robert Walser "Eine Art Gegengewicht"; Paulo Coelho "Manuel ist ein wichtiger und unentbehrlicher Mann"; Erich Fromm "Von der Kunst des Lebens"

(Laufzeit: ca. 2h)

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